![]() ![]() That’s it really, let me know those details, and your kitchen/package deal will fit perfectly. Keep in mind, some tailgates protrude inside the trailer, you’ll have to allow for this. Length, measure to the back of the trailer. ![]() You have to allow for this when measuring up your length for package deals. These photos shows a trailer with a tailgate protruding inwards. If you’re getting the package deal, then you need to provide a reasonably accurate measurement of the height, width and length. If you want a kitchen with a fridge in it, you will need a minimum height of about 470mm. If trailers are less than this, then it’s no problem, we can cut them down slightly. of 440mm – 450mm, giving about 15-20 mm clearance. ![]() Most of our kitchens are 430mm high, so you’d need say min. If it is just the trailer kitchen (DPOR, DPO, DSO or DPOS) then really the height is the only issue. If you’re getting a trailer kitchen, you’ll need to have a measure up to make sure it will fit. I have a sharp edged checkerplate floor, will it wear off the plastic skids? The legs don’t seem to be holding the weight anymore, what can I do about it? If I get the DPOR kitchen, for a quick stop, can I not put the return part up?Ĭan I retouch up the lacquer on my kitchen? I don’t have a stove, what should I get?Ĭan I put non slip matting down in my kitchen? I have a camper with lift up bedbase, and the struts get in the way, what can I do about it? I have an old hard floor camper, can you do any kitchens for them? In theaters and available to watch on Apple TV+.My trailer is less than 430mm high, can you still make them to fit? The burden of making it credible falls disproportionately on Henry and Lawrence, superb actors who do what they can to bring the script’s static and fuzzy ideas about pain, alienation and the need for connection to something that almost resembles life.Ĭauseway Rated R. “Causeway” is both thin and heavy-handed, its plot overly diagramed and its characters inadequately fleshed out. The bond that develops between them - and the ways that it is, inevitably, tested - is rooted in shared trauma, which is to say in a screenwriting conceit. The symmetry of their physical and psychological wounds is perhaps too neatly arranged. Lynsey is also haunted by the loss of a family member. James has lost part of a leg in a car crash that killed someone he loved. ![]() But having brought them together, the movie isn’t quite sure what to do with them. Hanging out this way is a pleasant respite from the stresses and struggles of existence - for James and Lynsey, and for the audience too. Lynsey takes a job cleaning swimming pools, and she and James spend off-hours drinking beer, smoking weed and floating around at the homes of clients who are conveniently out of town. Lynsey is tough, solitary and self-sufficient, attributes Lawrence has shown before - notably in the “Hunger Games” movies and in her breakthrough film, “Winter’s Bone” - but rarely in such a low-key, non-heroic mode. She pressures her doctor (Stephen McKinley Henderson) to clear her for redeployment. Returning home to New Orleans, she moves in with her mother (Linda Emond), who is too preoccupied with other matters to pay much attention to her daughter. Lynsey emerges from a state of anxious blankness, recovering language, memory, physical coordination and the contours of her personality. Lawrence, somber and subdued, gradually coaxes her character into view. An Army engineer who suffered a traumatic brain injury in Afghanistan, Lynsey - with the help of a patient health aide (Jayne Houdyshell) - must relearn the basic functions of daily life, and teach her body to work again. The early scenes in Lila Neugebauer’s “Causeway” find Lynsey (Jennifer Lawrence) in the first phase of a long healing process. ![]()
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